Freeman, now 87, is not just an actor but a producer as well. His latest project, “The Gray House,” co-produced with Lori McCreary, delves into the United States Civil War. The show, according to IMDb, “centers on the three women who General Ulysses S. Grant credited as helping the North win the Civil War.” This backdrop of American history underscores Freeman’s broader perspective on the subject.

When asked about Black History Month, Freeman didn’t mince words. “I detest it,” he declared. He elaborated on why he finds the concept so objectionable: “The mere idea of it. You are going to give me the shortest month in a year? And you are going to celebrate ‘my’ history?! This whole idea makes my teeth itch. It’s not right.” Freeman’s frustration is palpable, as he challenges the notion of isolating black history from the broader narrative of American history.

Freeman emphasized that his history is fundamentally American history. “It’s the one thing in this world I am interested in, beyond making money, having a good time and getting enough sleep,” he said. This perspective aligns with a conservative viewpoint that stresses the importance of a unified national identity over hyphenated histories that can divide rather than unite.

Highlighting the importance of understanding history in its entirety, Freeman warned, “If you don’t know your past, if you don’t remember it, you are bound to repeat it.” This echoes a common conservative sentiment that stresses learning from history to avoid past mistakes, rather than focusing on fragmented narratives.

In the interview, Freeman also discussed the entertainment industry, illustrating the cyclical nature of success in Hollywood. “Do you know this song? ‘To everything, there is a season.’ It really, really works in showbusiness. You are trying to sell something 15 years ago and nobody even looks at you. Then they go: ‘Didn’t you have a project, some time ago? Do you still have it?’ Life is like that, in this industry,” he reflected.